Denshattack!'s music credits are collaborative and use several different labels. A February 2026 official announcement calls Tee Lopes the main composer and lists a guest composer roster. A later interview with Andrew One describes Tee Lopes, Sean Bialo, and Andrew One as the project's three main composers. The finished album then lists those three as primary artists while grouping many others under broader credits. This guide keeps those source-specific descriptions instead of forcing every contributor into one title.
Main-composer wording by source
| Source and date | Exact hierarchy supported by that source |
|---|---|
| Official music announcement, February 27, 2026 | Tee Lopes is named as the main composer, followed by an announced composer roster and a separate performer roster |
| Andrew One interview, accessed August 18, 2026 | Tee Lopes, Sean Bialo, and Andrew One are described as the project's three main composers |
| Final Steam soundtrack page, released July 15, 2026 | Tee Lopes, Andrew One, and Sean Bialo appear as primary artists; more than twenty composers and artists are credited overall |
These statements are not necessarily contradictory: a promotional announcement can identify a lead name, a production interview can describe the core working team, and an album storefront can use “artist” metadata. What the evidence does not support is silently rewriting all three labels as one definitive contractual hierarchy.
Announced composers and performers
The February press release and official music trailer explicitly separate two lists.
Announced composer roster
- Tee Lopes
- Shoji Meguro
- Andrew One
- Sean Bialo
- 2 Mello
- Ryo Nagamatsu
- Richard Jacques
- The Noble Demon
- Harumi Fujita “OkanP”
- Kohta Takahashi
- Toni Leys
Separately announced performers
- Takenobu Mitsuyoshi
- Lotus Juice
- MIYACHI
- Alice Peralta
- milkyPRISM
- JUNKY58%
- THE DO DO DO'S
- Yunosuke
The separation is the safest starting point, but even it is not a universal role dictionary. The official FAQ later includes Takenobu Mitsuyoshi among guest composers, while the music reveal lists him as a performer. A particular track may justify more than one credit; the page should follow that track's formal metadata rather than choosing one marketing list and applying it everywhere.
Andrew One's composition and production work
An independent interview with Andrew One provides detail that the storefront summaries do not. The interview credits him with composing The Wretchhound, I Like the Way, and Coastline Funk. It also says that he received stems from guest artists and handled mixing and mastering across the large soundtrack after completing much of his own composition work.
According to the same interview, Andrew One and Tee Lopes divided work on cutscene music, while Daan Demmers contributed an additional loop. Those are production details from the interview, not a complete cue sheet. They show why “composer” alone does not capture Andrew One's role: his documented contribution includes original writing plus final audio production.
The interview is an edited independent source featuring a direct participant. It is useful first-person production evidence, but the official album's track-level metadata remains the better authority when assigning a public credit to an individual released track.
Album artists and broader final credits
Steam presents Tee Lopes, Andrew One, and Sean Bialo as the soundtrack's primary artists and says the release involves more than twenty composers and artists. Its “Other Credits” field includes names such as 2 Mello, Ryo Nagamatsu, Shoji Meguro, Richard Jacques, Kohta Takahashi, The Noble Demon, Harumi Fujita, Toni Leys, Daan Demmers, Hiro Harding, Lotus Juice, Ironmouse, Alice Peralta, milkyPRiSM, THE DO DO DO'S, Yunosuke, Sumika Inoue, JUNKY58%, Liqid, and Emma Rose Williamson.
“Other Credits” is deliberately broad. It does not establish that every listed person composed a track. Some may be performers, vocalists, lyric collaborators, production contributors, or artists credited in another capacity. The final album record expands the set of contributors beyond the earlier promotional roster, but it should not be converted into an unsourced “all composers” list.
The official OST is managed and released through Kid Katana Records alongside Fireshine Games. Label involvement is a release and rights relationship, not itself an individual composition credit.
A practical credit taxonomy
| Label used on this site | What it means | Example supported by the research |
|---|---|---|
| Main / core composer | Source explicitly describes a project-level writing role | Tee Lopes in the official announcement; Tee Lopes, Sean Bialo, and Andrew One in the later interview |
| Guest composer | Official source includes the person in a composer roster | Shoji Meguro, 2 Mello, Ryo Nagamatsu, Richard Jacques, and others in the reveal list |
| Performer | Official reveal lists a performance contribution | Lotus Juice, MIYACHI, Alice Peralta, and the other separately listed performers |
| Primary album artist | Storefront-level album metadata | Tee Lopes, Andrew One, and Sean Bialo on Steam |
| Mixing / mastering | Documented production role | Andrew One in his interview |
| Other credit | Participation is confirmed but the summary field does not define one universal role | Names in Steam's “Other Credits” field |
This taxonomy prevents a common SEO-page error: turning a prominent roster into a claim that every person composed every piece. For a detailed track list, use the OST guide and follow the official Bandcamp, Steam, or album-timeline attribution for each song.
Musical direction without over-crediting
The official announcement describes a score mixing electronic music and breakbeat with Y2K arcade hip-hop, punk energy, funk with Japanese vocals, and retro textures presented with modern production. That is an album-level creative description, not a statement that each composer worked in every style.
The large roster helps explain the range, but stylistic inference is not a credit. A track sounding like a guest artist's previous work is not enough to assign authorship. This guide therefore names only people and responsibilities documented in the collected sources.
Sources and verification
- Official composer-list press release on GamesPress — publisher-supplied February announcement distinguishing composers and performers.
- Official Music & Talent Reveal Trailer — publisher roster, Kid Katana relationship, and musical style description.
- Denshattack! Soundtrack on Steam — final commercial album's primary artists and broader credits.
- The Trial of Mixing and Mastering Denshattack!'s 80-Song Soundtrack — independent participant interview describing the three core composers and Andrew One's writing, mixing, and mastering work.
- Denshattack! FAQs — official FAQ terminology for the lead and guest music roster.
Limitations: the February release is promotional and predates the final album; the Andrew One piece is an edited interview; Steam combines heterogeneous roles in “Other Credits.” A complete per-track authorship table would still require checking the formal credit for all 80 album entries individually.